Rabu, 24 Oktober 2012

Ebook The Ballad of Radheya: A Legend from IndiaBy K R Sharanya

Ebook The Ballad of Radheya: A Legend from IndiaBy K R Sharanya

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The Ballad of Radheya: A Legend from IndiaBy K R Sharanya

The Ballad of Radheya: A Legend from IndiaBy K R Sharanya


The Ballad of Radheya: A Legend from IndiaBy K R Sharanya


Ebook The Ballad of Radheya: A Legend from IndiaBy K R Sharanya

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The Ballad of Radheya: A Legend from IndiaBy K R Sharanya

Born to the sun god and the earthly princess, Kanti, Radheya's birthright is to inherit sovereignty over all the kingdoms of the earth. But a quirk of fate sees the new born baby abandoned on the waves of the River Ganges - not to learn of his true identity until hours before his glorious death some four decades later. Though he is raised in obscurity by humble peasants, Radheya's natural kingly qualities cannot be covered by the poverty and disadvantage of his circumstances. They shine through like sun's rays through dark storm clouds, and, against all odds, Radheya makes his mark on the world. The Ballad of Radheya tells the life story of one of the most poignant figures of the great Indian epic, the Mahabharata.

  • Sales Rank: #3053111 in Books
  • Published on: 2013-09-16
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.00" h x .26" w x 6.00" l, .37 pounds
  • Binding: Paperback
  • 112 pages

From Kirkus Reviews
Sharanya presents a succinct retelling of the tragic, heroic life of one of the central characters of the ancient Indian epic The Mahabharata.

This slim debut, written in verse and adorned with illustrations, begins in India circa 3000 B.C. A contentious old sage gives 13-year-old Princess Kanti a magical mantra to call down any god from the heavens, but unbeknownst to her, the mantra’s true purpose is to impregnate her with a god’s progeny. Thus Kanti naively summons Surya Narayan, the god of the sun, who explains that he is to be her child’s father, and immediately, baby Radheya—clad in gold earrings and a gold breastplate—springs from Kanti’s ear. Kanti, afraid of what people may think of her, places her son in a box of carved sandalwood and sets him sailing in the River Ganga, where Atirath, the charioteer, and his kindly wife, Radha, discover him. This colorful story focuses on Radheya’s heroic nature—he becomes known as the “Greatest of Givers”—and the irony that he’s a member of the nobility while his adoptive parents are of a lower class. In one of the book’s final scenes, Radheya must battle his own brothers, but throughout this book, regardless of temptation or sorrow, Radheya remains steadfastly loyal to his loved ones. Sharanya’s poetic style makes for easy reading, as in a poignant scene in which Radheya is briefly reunited with his birth mother: “Yes, Queen Kanti, I have heard you are my mother! / Oh, my mother, darling mother, now come near! / Why did you make me sorrow in your absence / when I wanted just to glimpse you all these years?” Sanskrit and Hindi words appear in the text, and some word endings have been changed to suit the poetry. The book’s brevity may be off-putting to readers looking for more character development, plot details or battle scenes, but overall, it’s an effective introduction to the dynamic legend of Radheya.

An often engaging ballad that may compel readers to further explore The Mahabharata.

Review
    This retelling of a Hindu saga combines the author’s flair for  poetic expression with her talents as a graphic artist.
    The Ballad of Radheya, by English writer and artist K R Sharanya, is a poetic, illustrated version of a thought-provoking tale from the great Hindu saga the Mahabharata.
    To Hindus, the complex history of the warrior Radheya is well known: he was a child of Princess Kanti, a mortal girl, and Surya, the sun god. The child, born with golden earrings and a shield foretelling his heroic exploits, was set in a little boat and discovered by a humble charioteer and his wife, who gave him his earthly name.
    When he grew up, Radheya pretended to be a Brahmin and found an apprenticeship with a great guru of warfare. When the teacher learned he had been tricked, he cursed (a Brahmin’s curse will always come true) the young man: at a critical moment in battle, Radheya would forget his warrior’s training and be killed. His eventual death heralded the end of the great wars chronicled in the Mahabharata. Radheya is often cited in Hindu teaching as an example of extreme generosity and loyalty.
    Sharanya has put Radheya’s story into simple English poetry, mostly quatrains. The plot is orderly and easy to grasp, closely following the classical account.
    The volume is greatly enhanced by Sharanya’s remarkable line drawings. These illustrations, done with pencil, are rich and complex. Expressing both emotion and allegory, they grace the beginning of each chapter. For the interior, the attention paid to detail is evident; there are four well centered quatrains per page and an attractive background pattern of an Indian motif in pale gray.
    The Ballad of Radheya fits well into the genre of Eastern religious tales for young readers. With its combination of the author’s flair for poetic expression and her talents as a graphic artist, it is likely to gain favorable attention.

 -  Barbara Bamberger Scott, ForeWord Clarion Reviews

About the Author
Krishna Rose Sharanya is a British writer with an interest in Indian literature and in India’s mystical teachings on reincarnation and the spiritual self. As a university student in 1989, she found herself reading alongside each other Kamala Subramaniam’s English translation of the Mahabharata and Alfred Lord Tennyson’s The Lady of Shalott, both of which captivated her immensely. Of all the many tales and threads of life stories contained in the Mahabharata, it is the life story of the character Radheya that has remained with her throughout the years as the most compelling, and she became inspired to showcase Radheya’s story in a book of its own in classical style English poetry inspired by Tennyson, and decorated with her sensitive pencil illustrations. Krishna enjoys traveling to different countries around the world, and spent a number of years in India visiting the ancient historical sites that were the settings of the stories in the Mahabharata. She also runs a teaching consultancy in England called Avesha Presentations Hinduism Workshops for Schools, which provides support to religious education teachers around Britain and gives thousands of students of all ages each year an adventuresome day of storytelling from the Mahabharata and exploring India’s timeless philosophical ideas and culture. In the summer of 2013, Krishna began work on a series of novels for children featuring themes of mysticism and reincarnation.

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